“Oklahoma!” Sweeps Into Stages-St. Louis Finale With Style and Panache


Blake Price as Curly tries to soften up Sarah Ellis as Laurey in “Oklahoma!” at Stages-St. Louis. Photo: Peter Wochniak

When you load a musical with actors who are triple threats, you’ve got yourself a winner. Add them to a beloved show like “Oklahoma!” and you’ve outdone yourself. This sums up the finale to the 2018 season for Stages-St. Louis with all of the flawless production values we’re used to from this long running and beloved company.


Blake Price as Curly, Sarah Ellis as Laurey and Zoe Vonder Haar as Aunt Eller imagine the “Surrey With The Fringe On Top” during the Stages-St. Louis production of “Oklahoma!” Photo: Peter Wochniak

This was the first collaboration between Richard Rodgers and Oscar Hammerstein II who  had already had success with other partners in musicals. They created, in “Oklahoma!”, a turning point in the American musical where the songs actually drove the action instead of just providing a “break” to the story. It also started a history of musical comedy with dark overtones. The death of a major character had never been seen before and with subsequent shows they introduced weighty and thoughtful subjects along with standard musical comedy flair. With all of that going for it, “Oklahoma!” has stood the test of time and has been performed thousands of times since 1943 and most companies, like Stages, have produced the show multiple times.


Lucy Moon as Ado Annie tells Sarah Ellis as Laurey why she “Cain’t Say No” during “Oklahoma!” at Stages-St. Louis. Photo: Peter Wochniak

It’s hard to imagine a cast better than this one. Blake Price as Curly and Sarah Ellis as Laurey not only have great chemistry but they both have terrific singing voices and can act- not only in dialogue but with expressive singing showing pathos, humor and drama with every note. Ms. Ellis even danced as “dream Laurey” during the ballet at the end of the first act. Nicholas De La Vega took over the role of “dream Curly.” They pretend to feud throughout when you know they really belong together so the pretend spats during “Surrey With The Fringe On Top” and the coy “People Will Say We’re In Love” work to perfection.


Con O’Shea-Creal as Will Parker and the male chorus dazzle with the “Kansas City” number in “Oklahoma!” at Stages-St. Louis. Photo: Peter Wochniak

As the second comic leads in the show, Con O’Shea-Creal and Lucy Moon made a terrific pair as Will Parker and Ado Annie. Also wonderful actors and singers, his Will Parker dazzles in the “Kansas City” number and she simply charms during the “I Cain’t Say No” specialty number while they both delight in the “All Er Nuthin'” competition song in the second act. Her indecision between Will and her new found fascination with Ali Hakim is a treat to watch.


Blake Price as Curly and David Sajewich as Jud Fry discussing Jud’s funeral during the Stages-St. Louis production of “Oklahoma!” Photo: Peter Wochniak

Always a solid performer in both leads and character roles, Zoe Vonder Haar rules the roost as Aunt Eller doling out wisdom and singing and dancing with abandon. Also fitting comfortably in a minor role is the scintillating Leah Berry as the obnoxious Gertie Cummings who tries to steal Curly away from Laurey. Her double-barreled silly laugh garners laughs throughout the show.


Matthew Curiano as Ali Hakim discusses his intentions with Con O’Shea-Creal as Will and Lucy Moon as Ado Annie in “Oklahoma!” at Stages-St. Louis. Photo: Peter Wochniak

Rounding out the major cast is a strong performance from David Sajewich as the scary Jud Fry who has his heart set on Laurey and the outrageously funny Matthew Curiano as the peddler Ali Hakim. Jud is a stern and malevolent personality who tries to disrupt the picnic basket raffle and, in contrast, Mr. Curiano displays a comic flair as he “snake oils” his way in and out of situations to his advantage. Other Stages’ vets shine with John Flack as an irascible Andrew Carnes and Steve Isom as Cord Elam while relative newcomer Christopher DeProphetis is Ike Skidmore.


The wedding near the finale of “Oklahoma!” at Stages-St. Louis. Photo: Peter Wochniak

The ensemble gives their usual 100 per cent either with speaking roles or as the various ranch hands and their girls twirling and singing their way through this amazing musical score. The technical aspects are particularly impressive in “Oklahoma!” led by the incredible set design of James Wolk, Sean M. Savoie’s savvy lighting design and the exquisite costumes rendered by Brad Musgrove.


Sarah Ellis as Laurey explains her philosophy during the Stages-St. Louis production of “Oklahoma!” Photo: Peter Wochniak

Michael Hamilton’s direction and staging is spot on- even including the often cut but always entertaining number for Ali Hakim and the boys, “It’s A Scandal! It’s An Outrage!” The choreography of Dana Lewis is powerfully effective and Lisa Campbell Albert provides the musical direction featuring the orchestral design of Stuart M. Elmore.


The stirring finale of “Oklahoma!” during the production at Stages-St. Louis. Photo: Peter Wochniak

One can’t ask for more than a stellar and polished production of a steady warhorse like “Oklahoma!” and Stages-St. Louis serves it up to the delight of their faithful audience. Even if you’ve seen it a dozen times (and believe me, I have) it’s a show that never gets old- especially when it’s done as well as this one. “Oklahoma!” delivers through October 7th at Stages-St. Louis. Call them at 314-821-2407 for tickets or more information.

One Response to ““Oklahoma!” Sweeps Into Stages-St. Louis Finale With Style and Panache”

  1. Steve Allen Says:

    Thanks, Regen.

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