Archive for June, 2018

Remarkable “Run-On Sentence” At SATE Developed In Conjunction With PPA

June 11, 2018

Taleesha Caturah, Wendy Renee Greenwood and Jamie McKittrick in “Run-On Sentence” at SATE. Photo: Joey Rumpell

Playwright Stacie Lents spent many hours interviewing and talking with prisoners at the Women’s Reception, Diagnostic and Correctional Center in Vandalia, Missouri as part of a grant to develop a new play for Prison Performing Arts. “Run-On Sentence” is the result and it and is a powerful story that is a work of fiction but based on those hours of input from the female prison population.


Kristen Strom as Officer Wallace confronts Jamie McKittrick, Margeau Baue Steinau, Wendy Renee Greenwood and Taleesha Caturah at the SATE production of “Run-On Sentence.” Photo: Joey Rumpell

Rachel Tibbetts, one of the founders of SATE has, along with Christopher Limber, taken over the reigns of PPA from the late, great Agnes Wilcox. This is a wonderful legacy to their work at PPA and a crowning achievement for both them and SATE. A ninety minute one act, “Run-On Sentence” offers humor, pathos and a great story about loyalties and betrayals within the confines of the prison walls.


Wendy Renee Greenwood has a stern warning for Bess Moynihan in “Run-On Sentence” at SATE. Photo: Joey Rumpell

Taleesha Caturah is Mel- a principal character and a narrator to keep the audience apprised of the rules and mores of prison life. You know from her opening monolog that this is going to be a play laced with humor- both appropriate and dark. Although not the veteran of the prison inmates, she is the unofficial “captain.” She’s tough and tender but it mostly her compassion that guides her. Wendy Renee Greenwood is her best bud, Bug. In a beautiful performance, she shows a lot of erratic and suspicious behavior and proves to be a bit territorial in her space and her relationships.


Margeau Baue Steinau, Jamie McKittrick, Taleesha Caturah and Wendy Renee Greenwood gather in the SATE production of “Run-On Sentence.” Photo: Joey Rumpell

In a truly touching performance on her return to stage from her usual spot behind the scenes (usually lighting or set design- she designed this set for “Run-On Sentence”) is Bess Moynihan as Mary. Although, as the newcomer, she tells the ladies that she is in for assault, her story takes a decidedly more twisted turn as the play evolves. Jamie McKittrick is Giant- a bit slow witted but filled with passion and joy and deeply affected by any bad news about any of her fellow inmates.


Kristen Strom helps Wendy Renee Greenwood with her hair in SATE’s “Run-On Sentence.” Photo: Joey Rumpell

Miss Alice is the “lifer” or the group and played with a steely indifference by Margeau Baue Steinau. She’s got a heart of gold that has been tarnished by her stay in behind bars.  And rounding out the cast is Kristen Strom as Officer Wallace. Wanting to be a “pal” to the prisoners, she finds she must take on a rougher exterior.


Wendy Renee Greenwood has a show down with Taleesha Caturah while the other girls cower in the background in “Run-On Sentence” at SATE. Photo: Joey Rumpell

Rachel Tibbetts has directed with a real feel for the prisoners she has personally worked with over the past few years. She takes a human and humorous approach that makes the ladies more accommodating than you’d expect. She has also designed the costumes that probably align with female prison wear. Dominick Ehling’s lighting design enhances Ms. Moynihan’s set and makes for a grim look at life behind bars.


Bess Moynihan (seated) tells her story to Taleesha Caturah in SATE’s “Run-On Sentence.” Photo: Joey Rumpell

“Run-On Sentence” is a particularly satisfying experience and the story of its creation is as powerful as the actual Stacie Lent’s script. As noted in the program, she asked her ladies what they hoped people would learn from this piece and the most common response is the theme “that we are all human beings” and “it could happen to you.” See “Run-On Sentence” at the Chapel, presented by SATE through June 17th.


Charming “I Do! I Do!” Zips Through Marriage And Life At Stages-St. Louis

June 9, 2018

Corinne Melancon and Steve Isom share a dance on the fourposter in “I Do! I Do!” at Stages-St. Louis. Photo: Peter Wochniak

I’ve always been a fan of the Tom Jones and Harvey Schmidt two person musical, “I Do! I Do!” and now Stages-St. Louis has given us, not one, but two casts to enjoy this romp through a life from marriage to old age. Though there are a lot of people who don’t like the show, the music has always been impressive and the story line is funny, schmaltzy and pretty realistic when you quickly break down (not up) a marriage like that of Michael and Agnes.


The nervous couple say their “I Do! I Do’s!” at Stages-St. Louis. Photo: Peter Wochniak

On opening night we saw Corrine Melancon and Steve Isom, a steady actress and singer who has been with Stages for several years and a versatile player in Mr. Isom who has been with the company almost since the inception. In fact, “I Do! I Do!” is being performed for the first time since that first season back in 1987.


Steve Isom as Michael professes the prowess of older men in “A Well Known Fact” during the Stages-St. Louis production of “I Do! I Do!” Photo: Peter Wochniak

Miss Melancon is a terrific actress and powerful singer. Although at times a bit hoarse on opening night, she still belted when the occasion arose like her spectacular rendition of “Flaming Agnes” and the plaintive “What Is A Woman.” Steve Isom delights all through the show with his shows of bravado and his male chauvinism (the 50 years of the marriage run from 1895 to 19454). His hat and cane number, “A Well Known Fact,” is a definite highlight and shows that chauvinism with flying colors. Of course, the only real hit from the show is the early paean to love, “My Cup Runneth Over”- a tender moment that brings a few tears to the eye every time I hear it.


Corrine Melancon as Agnes touts the joys of motherhood in “I Do! I Do!” at Stages-St. Louis. Photo: Peter Wochniak

Their duets are priceless as well including the snarky “Nobody’s Perfect,” the malicious “The Honeymoon Is Over” and the sweet reminiscing of “Where Are The Snows?” They even pull of the most outrageous number of the show, “When The Kids Get Married” where they discuss their leisure time and then pull out a saxophone and a violin and actually play a scratchy version of the number- including a bit of harmony.


Corrine Melancon and Steve Isom as Agnes and Michael in the Stages-St. Louis production of “I Do! I Do!” Photo: Peter Wochnicak

Stages Artistic Director, Michael Hamilton staged and choreographed the show to perfection with a lot of little bits that enhanced the already poignant script. James Wolk has designed a simple but effective set and the Sean M. Savoie lights enhance the playing areas. Brad Musgrove’s costumes are on the mark and Lisa Campbell Albert provides musical direction.


Corrine Melnacon and Steve Isom prepare to leave their home of 50 years in “I Do! I Do!” at Stages-St. Louis. Photo: Peter Wochniak

You can go on the Stages website to choose the cast you’d like to see- the second cast is Kari Ely and David Schmittou. They are also long time Stages’ favorites. If I have the chance, I will catch their version of the proceedings. “I Do! I Do!” plays at Stages-St. Louis through July 1st but, as is so often the case with Stages, shows sell out fast. So give them a call at 314-821-2407 for tickets or more information.

“Luchadora!” Is Tender, Touching Story With Mustard Seed Theatre and Theatre Nuevo Joining Forces

June 6, 2018

Isabel Garcia and Carmen Garcia as Vanessa and Nana Lupita in “Luchadora!” at Mustard Seed and Theatre Nuevo’s joint production. Photo: John Lamb

A lunch conversation with her mother and a briefcase bring Vanessa into a world she never suspected was part of her heritage- lucha libre wrestling. As Lupita’s story unfolds,  we get to see this history of masked wrestlers unfold before our eyes with twists and turns that both Vanessa and the audience cannot believe. That’s how we start our story of “Luchadora!” at Deanna Jent’s Mustard Seed Theatre in a joint production with Theatre Nuevo and AD Anna Skidis Vargas.

We flash back to when young Lupita was working with her father selling flowers from his small pushcart in a small border town in Texas. He asks Lupita to take a briefcase to a local mask maker but implores her not to look in the case. What other incentive does a child need? She discovers a mask of a lucha libre wrestler and begins to wonder what it means.


Thalia Cruz (in background) as young Lupita gets instruction from the Mask Maker, played by Cassandra Lopez in becoming a wrestler in the Mustard Seed and Theatre Nuevo joint production of “Luchadora!” Photo: John Lamb

Thalia Cruz is a charmer as the young Lupita. Vulnerable and naive, she soon discovers that the mask maker, played with strength and resolve by Cassandra Lopez, has been making and repairing masks for her father for some time- because he is the famous Mascalarosa who was set to meet El Hijo for the world championship when he became a no show. As we learn from the tender and performance of Rahamses Galvan as her father, he injured his back and is still in pain- even though El Hijo still haunts him and taunts him from the ring whenever El Hilo appears at matches.

Two young locals- German immigrants, Leopold and Liesl, are Lupita’s best friends and soon they all discover her father’s secret. He is determined to meet El Hijo in Milwaukee and settle the score once and for all. Cassidy Flynn and Ashley Skaggs are the fresh faced friends and the three of them make the most of just being kids with such a heavy secret now in their grasp. Leo and Liesl have a sister, Hannah, played with passion by Hannah Pauluhn who offers a sad side story as well. She also plays a series of smaller roles throughout the play.


The kids wrestle as young Lupita decides she will become a stand in for her father in “Luchadora!” at the Mustard Seed and Theatre Nuevo co-production. Photo: John Lamb

Isabel Garcia makes a delightful Vanessa as she discovers Lupita’s secret after looking in her briefcase, just as young Lupita did those many years ago. And, telling her story, Carmen Garcia is a treasure as the lady luchadora. The mask maker encourages the young girl to learn the trade and then go on against El Hijo in her father’s stead with her as her trainer. The wonderful Carl Overly, Jr. plays multiple roles as well but is most impressive as the brash, masked El Hilo. He pops up all around the stage with his taunts to Mascalarosa. Rounding out the cast in a series of small roles is Ryan Lawson-Maeske.

Anna Skidis Vargas directs with a real feel for the material- written about the memories of his grandmother by Alvaro Saar Rios. David Blake’s two level set is remarkable with a small acting area on upper stage left where Vanessa and Lupita enjoy their surprising lunch and a bridge crossing over to steps leading down to the main acting area that becomes a wrestling training area, the flower cart, the mask maker’s business and a bike trail for the three youngsters. Michael Sullivan’s lights also are effective offering both drama and playfulness. Mark Kelley provides the unusual fighting choreography as young Lupita is taught her most dangerous weapon, the elbow drop. Then a small, roped off ring rolls into the MainStage for the exciting conclusion.


Carl Overly, Jr. as El Hijo taunting his rival in the Mustard Seed/Theatre Nuevo production of “Luchadora!” Photo: John Lamb

“Luchadora!” brought back a lot of memories as my grandfather was a big wrestling fan and we took him to the old Kiel Auditorium many times to watch American wrestlers but he then watched a lot of lucha libre wrestling as well as all kinds of wrestling became quite the rage. The play mixes a lot of life lessons about the hard life of the migrant workers, many of whom tried to escape and become luchadora’s and, of course, about family loyalty. It plays at Mustard Seed Theatre through June 17th. Give them a call at 314-719-8060 for tickets or more information.

Singing, Acting Help Pull “Yeast Nation” Off The Bottom Of The Sea At New Line

June 4, 2018

Yeasts gather to honor their chief Jan the Eldest (Zachary Allen Farmer-seated) at the opening of “Yeast Nation” at New Line Theatre. Photo: Jill Ritter Lindberg

New Line Theatre and AD Scott Miller have brought back musicals everyone counted as dead like “Cry Baby,” “High Fidelity” and many more that deserved to be restaged. Many have had life in repertory theatres because of that spark of life New Line gave them. Although the music is pretty good and the acting and singing are outstanding, “Yeast Nation” may not be one of those musicals. With the creative team of Mark Hollmann and Greg Kotis, who brought us “Urinetown,” this tale of primordial goop from 3 billion years ago is a one joke show that doesn’t hold water.


Sarah Gene Dowling as the blind Jan the Unnamed invokes the philosophy of the yeast in New Line Theatre’s production of “Yeast Nation.” Photo: Jill Ritter Lindberg

In typical fashion, the New Liners bring us a wonderful production full of energy and singing and acting skills that are stellar. But yeast and single cell organisms are not the stuff of successful musicals. The secret here is to stick around for the second act when the score improves and you can forget that you’re watching yeast instead of people.


Zachary Allen Farmer as Jan the Eldest talks to Michael Lowe as Jan the Wise while Dominic Dowdy-Windsor as Jan the Second Oldest stands in the background in “Yeast Nation” at New Line Theatre. Photo: Jill Ritter Lindberg

Zachary Allen Farmer- a New Line veteran- holds down the fort as Jan (pronounced yahn) the Elder, the chief yeast who rules his nation with a firm but loving hand as he lets us know with his opening number, “You Are My Children.” Jan the Second-Oldest is a powerful Dominic Dowdy-Windsor who discovers something not common to the yeast nation, an emotion called love. The object of his affection is the beautiful and wistful Jan the Sweet, sweetly portrayed by Larissa White.


Larissa White as Jan the Sweet professes her love for Dominick Dowdy-Windsor as Jan the Second Oldest in the New Line Theatre production of “Yeast Nation.” Photo: Jill Ritter Lindberg

The “heavy” yeast, Jan the Wise, is played by Michael Lowe. He believes in keeping the rules of the nation strict and by the book- the Mike Pence of one cell beings. He also has affection for Jan the Sweet but she rejects his advances. Also throwing a monkey wrench into yeast harmony is Grace Langford as Jan the Sly. She plots to overthrow (let’s just say kill) the Elder and, when her plot goes awry, she turns on the Second Oldest. Jan the Famished is the delightful Jennelle Gilreath and Keith Thompson as Jan the Wretched meets an early demise but comes back as a prominent member of the ensemble!


Zachary Allen Farmer as Jan the Elder, Dominic Dowdy-Windsor as Jan the Second Oldest and Grace Langford as Jan the Sly with the other yeasts in the New Line Theatre production of “Yeast Nation.” Photo: Jill Ritter Lindberg

Sarah Gene Dowling is the blind and capricious Jan the Unamed and Colin Dowd (a reverse of the versatile Keith Thompson) comes out of the ensemble to take on the part of the newly born Jan the Youngest. An illicit affair with gunk from above (Second Oldest has “risen” Illegally to the top of the ocean and brought back the substance) has resulted in The New One- a new type of life form in the form of Lex Ronan. The usual outstanding ensemble does a wonderful job in backing up all this insanity. All of this speculation on indiscriminate life 3 billion years ago on the ocean floor just didn’t grab me. But, it’s all about the execution and Scott Miller and Mike Dowdy-Windsor have certainly “risen” above the weak material to bring us an entertaining show.


Grace Langford as Jan the Sly and Jennelle Gilreath as Jan the Famished in “Yeast Nation” at New Line Theatre. Photo: Jill Ritter Lindberg

Scenic and lighting designer Rob Lippert has given us a fine representation of the ocean bottom (no sign of Spongebob Squarepants, however) along with the assistance of Victoria Xu. Sarah Porter has also given us this unusual vision in the form of very esoteric costumes that represent the sameness of yeast while giving them all their own individuality. Sarah Nelson leads the wonderful New Line Band in a score that gets better as the evening goes on.


The New Line ensemble gather at the bottom of the sea for “Yeast Nation” at New Line Theatre. Photo: Jill Ritter Lindberg

Don’t look for “Yeast Nation” to resuscitate itself as so many New Line reincarnations have in the past but it’s a nice way to while away a couple of hours with the enormous talent on stage, some good music and a few laughs along the way even if the one-joke script may fail to win you over. “Yeast Nation” plays at New Line Theatre through June 23rd. Contact them at for tickets or show information.