Deft Direction And Great Cast Moves “The Flick” Along Nicely At R-S Theatrics

At times while watching the latest from R-S Theatrics, “The Flick,” I felt it could have been a “No Exit” moment. Were these characters in some sort of purgatory waiting for hell? Or is it just three people looking for love and meaning in their rather humdrum lives? Despite the slow pace of an already long play (about 2 and a half hours), you can’t help but get caught up in their conversation as they toil away at a decrepit movie theatre.


Jennelle Gilreath, Jaz Tucker and Chuck Winning in “The Flick” at R-S Theatrics. Photo: Michael Young

We meet Sam as he is breaking in a new employee, Avery, who we discover is a whiz at playing “Six Degrees” as he connects one star to another that Sam arbitrarily hands him. In between they are sweeping up spilled popcorn and giving each other a version of their life so far and what they hope to do in the future. Sam doesn’t seem to have any goals except to move up in the chain of command and someday run the projector. That lofty job is already being handled by Rose who Sam is smitten with and Avery reluctantly becomes involved with for, shall we call it, a “one night stand?”

Chuck Winning gives Sam a sad sack on the verge of extreme anger persona. He is a likable character despite his jealous and suspicious ways. We feel for his desperation and the unrequited love he endures even after he opens his heart to Rose. A great, nuanced performance. As his mentor and enigmatic loner, Jaz Tucker becomes an unwitting foil in Sam’s romantic missteps. We don’t really get a strong handle on his depth, but Mr. Tucker makes Avery a sympathetic character despite his somewhat upbeat demeanor.

Jennelle Gilreath is a breath of fresh air as Rose. Her green hair tossing and her heart on her sleeve attitude gives us a portrayal of wild abandon that gives her the freedom to act on her whims and the world better watch out. Rounding out the cast is Tyson Cole as a sleeping man in the theatre rousted out by the cleaning crew and then later as Skylar- the new man on the clean up crew.

Joe Hanrahan directs with a slow, deliberate place to emphasize the awkwardness and lack of social skills in the characters. It works well but extends the evening even further in a slow and often rambling piece. As secrets and personalities are revealed, we learn a lot in this “slice of life” comedy. “The Flick” might fall into the dramedy category owing to the obvious desperation of these somewhat abandoned souls, but there’s enough spirit and determination and some great laughs along with heart to make it more uplifting than it first looks.

Keller Ryan has taken advantage of the seats in the Kranzberg Black Box to mold his basic movie theatre structure and it works well even though I almost thought

about sitting on the set when I first entered the theatre. The strewn popcorn and the fact that everyone else in the audience was seated facing these seats led me to a seat next to the director and another reviewer. Brittanie Gunn’s lighting design gives the set a real feel and the costumes of Sarah Porter are inspired nicely by actual movie theatre garb.

To paraphrase a famous movie trailer cliche, “in a world where long one acts have been reigning supreme,” it’s nice to get lost in a favorite pastime- the movies- and watch a play unfold with full character development and a somewhat unexpected ending.


Chuck Winning reads over Jennelle Gilreath’s shoulder as Jaz Tucker cleans up in the background during the R-S Theatrics production of “The Flick.” Photo: Michael Young

Playwright Annie Baker has given us a lot out of almost nothing. Catch “The Flick” as presented by R-S Theatrics through December 23rd. Give them a call at 314-252-8812 for tickets or more information.


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